Booklist Reviews
*Starred Review* For her first book, journalist Taddeo set out to register the heat and sting of female want so that men and other women might more easily comprehend before they condemn. She spent years following many women's stories, but ultimately focuses on three. Lina, a midwestern stay-at-home mom, finds the romantic kiss (and more) that her husband refuses her when she reconnects with her high-school sweetheart. East Coast restaurateur Sloane is thrilled by her husband's request that she sleep with other people, though it can get socially complicated. North Dakota teenager Maggie, whose story is likely to hit readers hardest, falls in devastating love with her high-school teacher—a matter of public record following a 2015 trial. Taddeo braids together the women's narratives, which adds both suspense and heft as their desire-biographies echo and diverge. Her distinct proximity to her subjects shows in the intimate fantasies, scorching encounters, and profound pains they relate through her, but, the power resting fully with them, this never becomes voyeuristic. Instead, she allows them to be defined not by their jobs, kids, or, significantly, the men in their lives, but by a deep and essential part of themselves. Readers will almost certainly fly through this, and want to talk about it. Copyright 2019 Booklist Reviews.
BookPage Reviews
Three Women
A veteran of New York Magazine, Esquire and Elle, author Lisa Taddeo opens Three Women, her compelling debut, with stories about her mother: the beginnings of her mother's life as a woman, with all the complexities that accompany the teenage years, when society views women as reaching the height of their sexual power. She closes with her mother as well, this time describing the end of her life as Taddeo cared for her in the hospital. While this may seem like a strange decision for a book that concerns itself with female desire, it's quickly apparent to even the casual reader that Taddeo doesn't shy away from the unspoken, the uncomfortable and the shadow sides of sexuality. This is by necessity a ruthless book as it explores the half-concealed aspects of not only the female sex life but also the inner and secret lives of women.
The three women in question cut across lines of class, age and experience. Maggie's story begins as a teen-ager in a working-class family in North Dakota, receiving provocative and confusing texts from an English teacher that build alarmingly and irresistibly. Lina is an Indiana housewife, firmly middle-class, unfulfilled and anxiety-ridden amid toddlers and a sexless marriage, when she reconnects with an old boyfriend over Facebook. Enigmatic Sloane is comfortably upper-class and considers herself highly in control of her sexual agency, until difficult memories surface, consequences arise, and she begins to question the line between male desire and her own—whether she is subject or object.
Three Women is merciless, impossible to put down and so revealing as to be uncomfortable. As the women share themselves, you find yourself reflected. It's a multifaceted work that changes as you turn it, casting light in unexpected corners that you never before considered—and had perhaps even been guarding against.
Copyright 2019 BookPage Reviews.Kirkus Reviews
Based on eight years of reporting and thousands of hours of interaction, a journalist chronicles the inner worlds of three women's erotic desires. In her dramatic debut about "what longing in America looks like," Taddeo, who has contributed to Esquire, Elle, and other publications, follows the sex lives of three American women. On the surface, each woman's story could be a soap opera. There's Maggie, a teenager engaged in a secret relationship with her high school teacher; Lina, a housewife consumed by a torrid affair with an old flame; and Sloane, a wealthy restaurateur encouraged by her husband to sleep with other people while he watches. Instead of sensationalizing, the author illuminates Maggie's, Lina's, and Sloane's erotic experiences in the context of their human complexities and personal histories, revealing deeper wounds and emotional yearnings. Lina's infidelity was driven by a decade of her husband's romantic and sexual refusal despite marriage counseling and Lina's pleading. Sloane's Fifty Shades of Grey-like lifestyle seems far less exotic when readers learn that she has felt pressured to perform for her hu sband's pleasure. Taddeo's coverage is at its most nuanced when she chronicles Maggie's decision to go to the authorities a few years after her traumatic tryst. Recounting the subsequent trial against Maggie's abuser, the author honors the triumph of Maggie's courageous vulnerability as well as the devastating ramifications of her community's disbelief. Unfortunately, this book on "female desire" conspicuously omits any meaningful discussion of social identities beyond gender and class; only in the epilogue does Taddeo mention race and its impacts on women's experiences with sex and longing. Such oversight brings a palpable white gaze to the narrative. Compounded by the author's occasionally lackluster prose, the book's flaws compete with its meaningful contribution to #MeToo-era reporting. Dramatic, immersive, and wanting—much like desire itself. Copyright Kirkus 2019 Kirkus/BPI Communications. All rights reserved.
Publishers Weekly Reviews
In her ambitious, if flawed, debut, journalist Taddeo reports on the risks women take to fulfill their sexual desires. The result of eight years and thousands of hours of interviews, the book describes how each of her three subjects is undone by an intimate relationship that eventually damaged her. Maggie, a troubled 23-year-old in Fargo, N.Dak., recalls how her high school English teacher seduced her at 17 after learning she'd slept with a man twice her age. When he's named statewide teacher of the year five years later, she reports their affair to the police; townspeople quickly label her "a freaky slut." Indiana wife and mother Lina, married to a man who refuses to kiss her, reconnects on Facebook with high school crush Aidan. Their affair, perfunctory on his end, is played out in parked cars while she becomes "a tangle of need and anxiety." Forty-something Sloane, "beautiful and skinny," runs a successful Newport, R.I., restaurant with her chef husband who chooses her sexual partners and watches them have sex. Sloane believes her marriage to be secure yet had to "constantly reassess what kind of woman she was." Unfortunately, all three feel underdeveloped, with no real insight into them or their lives outside of their sexual histories, and with little connective tissue between their stories. Taddeo's immersive narrative is intense, but more voyeuristic than thoughtful. (July)
Copyright 2019 Publishers Weekly.