Reviews - Riverside Public Library

Booklist Reviews

*Starred Review* A novel to live in, learn from, and feel bereft over when the last page is turned, Doerr's magnificently drawn story seems at once spacious and tightly composed. It rests, historically, during the occupation of France during WWII, but brief chapters told in alternating voices give the overall—and long—narrative a swift movement through time and events. We have two main characters, each one on opposite sides in the conflagration that is destroying Europe. Marie-Louise is a sightless girl who lived with her father in Paris before the occupation; he was a master locksmith for the Museum of Natural History. When German forces necessitate abandonment of the city, Marie-Louise's father, taking with him the museum's greatest treasure, removes himself and his daughter and eventually arrives at his uncle's house in the coastal city of Saint-Malo. Young German soldier Werner is sent to Saint-Malo to track Resistance activity there, and eventually, and inevitably, Marie-Louise's and Werner's paths cross. It is through their individual and intertwined tales that Doerr masterfully and knowledgeably re-creates the deprived civilian conditions of war-torn France and the strictly controlled lives of the military occupiers.High-Demand Backstory: A multipronged marketing campaign will make the author's many fans aware of his newest book, and extensive review coverage is bound to enlist many new fans. Copyright 2014 Booklist Reviews.

BookPage Reviews

Book clubs: Man versus forest

Grand in scale, somber in message, Barkskins, Annie Proulx's sprawling historical novel, is an old-fashioned tale of exploration and discovery that chronicles the destruction of the world's forests. The novel follows the fortunes of René Sel and Charles Duquet, two poor Frenchmen in 17th-century Canada who become woodcutters, or barkskins. Sel marries a Mi'kmaw woman and fights to eke out a life, while Duquet goes on to start a timber enterprise. The book tracks their descendants as they struggle to survive in far-flung locales, including New Zealand and China, deforesting every region they enter and clashing with native cultures along the way. Proulx spins this epic tale all the way into the present day. Her richly developed characters, including Duquet's great-grandson, James Duke, who continues the family timber business, and his smart, resourceful daughter, Lavinia, keep the book from being preachy or pedagogic. This is a rewarding read from a world-class writer that's sure to get book clubs talking.

FAMILY MONEY
One of the biggest debuts of 2016, Cynthia D'Aprix Sweeney's shrewdly observed novel, The Nest, is the story of the Plumb siblings and their struggles over an anticipated inheritance. Melody, Jack and Beatrice have a face-off with their brash, irresponsible brother, Leo, whose car accident (involving lots of alcohol and a teenage waitress) has imperiled their shared trust fund, which they refer to as "the nest." Each Plumb sibling needs the money to solve a particular problem. Melody is contending with a mortgage and her daughters' college tuition, while Jack is hoping for a bailout on funds he borrowed to keep his antique store afloat. Aspiring writer Beatrice, meanwhile, needs all the help she can get as she wrestles with her first novel. The story of how the Plumbs resolve the matter of the nest makes for a funny, poignant family saga. Sweeney writes convincingly about domestic feuds and sibling dynamics. This is a delightful debut from a writer of great promise.

TOP PICK FOR BOOK CLUBS
Nearly two years after it was first released, Anthony Doerr's All the Light We Cannot See arrives in paperback this month. The Pulitzer Prize-winning novel follows the lives of two characters during World War II in Europe. Werner is a German orphan who—thanks to his remarkable facility for math—is placed in a special Nazi school. Marie-Laure, a young blind girl, lives in Paris with her father. When the war escalates, Marie-Laure and her father flee to Saint-Malo, a walled city in Brittany where they have relatives involved in the French Resistance. Werner, meanwhile, rises through the ranks of Hitler Youth to become a Resistance tracker. When he arrives in Saint-Malo, he connects with Marie-Laure, and their lives change forever. Doerr's beautifully rendered novel has all the makings of a classic. Poetic, compassionate and compelling, it's a book that will stand the test of time.

This article was originally published in the April 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

Kirkus Reviews

Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect. In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She's taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure's father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children's House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he's put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she's broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure's father's having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major. Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters. Copyright Kirkus 2014 Kirkus/BPI Communications.All rights reserved.

Library Journal Reviews

Blind since six, Marie-Laure flees Paris with her father during World War II; they end up in Brittany's Saint-Malo. Meanwhile, orphaned German boy Werner proves to be a whiz with radios, which leads him to military school and, eventually, to tracking the Resistance. Soon he's in Saint-Malo, too. From a New York Public Library's Young Lions Award winner.

Library Journal Reviews

Shifting among multiple viewpoints but focusing mostly on blind French teenager Marie-Laure and Werner, a brilliant German soldier just a few years older than she, this novel has the physical and emotional heft of a masterpiece. The main protagonists are brave, sensitive, and intellectually curious, and in another time they might have been a couple. But they are on opposite sides of the horrors of World War II, and their fates ultimately collide in connection with the radio—a means of resistance for the Allies and just one more avenue of annihilation for the Nazis. Set mostly in the final year of the war but moving back to the 1930s and forward to the present, the novel presents two characters so interesting and sympathetic that readers will keep turning the pages hoping for an impossibly happy ending. Marie-Laure and Werner both suffer crushing losses and struggle to survive with dignity amid Hitler's swath of cruelty and destruction. VERDICT Doerr (The Shell Collector) has received multiple honors for his fiction, including four O. Henry Prizes and the New York Public Library's Young Lions Award. His latest is highly recommended for fans of Michael Ondaatje's similarly haunting The English Patient.—Evelyn Beck, Piedmont Technical Coll., Greenwood, SC

Publishers Weekly Reviews

In 1944, the U.S. Air Force bombed the Nazi-occupied French coastal town of St. Malo. Doerr (Memory Wall) starts his story just before the bombing, then goes back to 1934 to describe two childhoods: those of Werner and Marie-Laure. We meet Werner as a tow-headed German orphan whose math skills earn him a place in an elite Nazi training school—saving him from a life in the mines, but forcing him to continually choose between opportunity and morality. Marie-Laure is blind and grows up in Paris, where her father is a locksmith for the Museum of Natural History, until the fall of Paris forces them to St. Malo, the home of Marie-Laure's eccentric great-uncle, who, along with his longtime housekeeper, joins the Resistance. Doerr throws in a possibly cursed sapphire and the Nazi gemologist searching for it, and weaves in radio, German propaganda, coded partisan messages, scientific facts, and Jules Verne. Eventually, the bombs fall, and the characters' paths converge, before diverging in the long aftermath that is the rest of the 20th century. If a book's success can be measured by its ability to move readers and the number of memorable characters it has, Story Prize–winner Doerr's novel triumphs on both counts. Along the way, he convinces readers that new stories can still be told about this well-trod period, and that war—despite its desperation, cruelty, and harrowing moral choices—cannot negate the pleasures of the world. (May)

Voice of Youth Advocates Reviews

This is a beautiful book. Two children, a book-loving blind girl from Paris and a gifted orphan boy from Germany, move in alternate chapters through the 1930s into World War II. After her father's arrest, Marie-Laure and her great-uncle join the Resistance in Saint-Malo. In 1944, Werner, by now a radio expert, homes in on their secret radio transmissions, and the two teens meet for the only time. Marie-Laure has suffered; Werner has helped inflict suffering but is haunted by doubt. They need each other. The chapters are short; the quick changes in point of view require the reader to hold two worlds in focus, awkwardly at first, then more smoothly as one comes to care about both protagonists. Simple sentences and present-tense narration keep the reader involved. Marie-Laure has sounds, smells, vividly imagined colors, two Verne novels in Braille, and a Breton beach throbbing with sea life to touch. For Werner, the sea off Saint-Malo is the most beautiful thing he has ever seen, like a medicine to heal guilt. Only once does Doerr show a personified Death considering which victims to reap, a hallmark of Marcus Zusak's The Book Thief (Knopf, 2006/VOYA June 2006). Even so, Marie-Laure could easily step into the earlier book to befriend Liesel. Both are resilient, reading novels aloud during air raids, comforting others. Teens in both novels emerge from innocence into Nazi brutality and grope their way to answering the poignant question Marie-Laure asks her great-uncle, "But we are the good guys, aren't we?"—Katherine Noone. 5Q 4P A/YA Copyright 2011 Voya Reviews.