Booklist Reviews
Baxter's sequel to Wells' classic narrative of a Martian invasion of Britain thwarted only by bacterial infection chronicles the return of the Martians in 1920, now armed with a better understanding of their own vulnerabilities as well as humanity's. The central protagonist, Julie Elphinstone, the former sister-in-law to Wells' nameless narrator, now known in Baxter's story as Walter Jenkins, not only witnesses the return of the Martians but journeys much like Walter into the heart of a Martian-occupied England. Baxter mixes his rendering of a Martian invasion widely increased in scope and severity with an account of an alternate world in which the "First Martian War" dramatically changed the history of the early twentieth century. Although Baxter's sketches of alternate history can at times feel a little incomplete and may not satisfy readers of that particular subgenre, The Massacre of Mankind—with its more grounded approach than other sequels to Wells' original, such as including scientific explanations for Martian technology—should satisfy fans of both Baxter and Wells alike. Copyright 2017 Booklist Reviews.
Kirkus Reviews
After writing an award-winning sequel to H.G. Wells' The Time Machine (The Time Ships, 1995), Baxter revisits another Wells classic, War of the Worlds, with a sequel to the seminal 1898 tale of alien invasion.Set in 1920—13 years after the events of War of the Worlds—the story is narrated by journalist Julie Elphinstone, the sister-in-law of Walter Jenkins, the unreliable narrator who chronicled the First Martian War. Jenkins, who's in a hospital in Vienna undergoing therapy from renowned psychoanalyst Sigmund Freud, contacts Elphinstone in New York City with "grave news from the sky": the Martians have launched ships from the red planet and are returning to Earth, this time in far greater numbers. Elphinstone returns to England just in time to witness the Martians land en masse outside London and quickly overcome human resistance with their Heat-Rays and tripedal engines of war. It becomes apparent that the Martians are not just interested in conquest; they're at tempting to colonize the planet. When another wave of Martian ships lands near population centers all over the world—in New York, Melbourne, Peking, etc.—Elphinstone and her cohorts are left with one last desperate attempt to defeat the invaders. But while Baxter (The Long Utopia, 2015, etc.) excels at describing the time period—as well as simultaneously creating a fascinating alternate history (Britain is a fascist state, Germany rules much of Europe, and the Titanic never sank)—the story has a decidedly detached feel to it. Part of the problem is in the delivery; Elphinstone is writing her memoir many years after the apocalyptic events so there is no feeling of immediacy, no real tension or question of outcome. The analytical, emotionally reserved narrative ultimately makes for a dull reading experience. A richly described and action-packed, albeit forgettable, glimpse into the near future of a science-fiction classic. Copyright Kirkus 2017 Kirkus/BPI Communications. All rights reserved.
Library Journal Reviews
Winner of the British Science Fiction Award and the Locus Award, Baxter offers a sequel to H.G. Wells's iconic The War of the Worlds, featuring Wells's narrator, Walter Jenkins. Fourteen years after the last invasion, humans complacently believe that they can defeat any threat from Mars. But Jenkins sees danger coming. With a 60,000-copy first printing.
Copyright 2017 Library Journal.LJ Express Reviews
Baxter's H.G. Wells estate-authorized sequel to the 1898 sf classic The War of the Worlds tells of a second Martian invasion, this time from the perspective of journalist Julie Elphinstone. Having learned from their defeat 14 years earlier, the visitors from the Red Planet return, this time to stay, much to the dismay of Great Britain and the rest of the world. While incorporating characters and callbacks to the original book, Baxter weaves his own story, portraying a global community altered by the first invasion. Martian technology left behind has been reverse-engineered, international politics and world leaders are familiar but different from our own history. Baxter attempts to echo Wells's style and voice, with moderate success. Verdict Already a best seller in the UK, Baxter's second take on Wells, after The Time Ships, his sequel to The Time Machine, is appropriate for young adult audiences, with violence that is both moderate and not too explicit. Sf aficionados and in particular Wells admirers will want to place this title on their "To-Read" shelves. [See Prepub Alert, 2/27/17.]—Matt Schirano, Univ. of Bridgeport Lib., CT (c) Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Publishers Weekly Reviews
This estate-authorized sequel to H.G. Wells's